常香玉小香玉唱腔对比以《刘大哥讲话理太偏》为例

特别是唱段《刘大哥讲话理太偏》,让我对常香玉和小香玉唱腔进行了对比,从而更加了解了两者艺术风格,常香玉的创新主要是融合了豫西调和豫东调两种流派,即“常派”,对我国的豫剧发


目    录

摘  要.......................................................................................................................... 1

Abstract........................................................................................................................ 1

、常香玉、小香玉艺术历程............................................................................ 2

(一)常香玉艺术历程......................................................................................... 2

(二)小香玉艺术历程......................................................................................... 3

二、《刘大哥讲话理太偏》中常香玉、小香玉唱腔对比.......................... 3

(一)咬字处理..................................................................................................... 3

(二)润腔表现..................................................................................................... 4

(三)唱腔风格..................................................................................................... 5

(四)表演身段..................................................................................................... 5

三、常香玉唱腔特点对小香玉的影响............................................................. 6

参考文献..................................................................................................................... 8

致谢.............................................................................................................................. 9

 

常香玉、小香玉唱腔对比——以《刘大哥讲话理太偏》为例

 要常香玉作为我国著名的豫剧表演艺术家,因唱腔腔调圆润,淳厚有味,表演刚劲、豪放,深受人们的喜爱。而其孙女小香玉在继承了常香玉传统的基础又加以改革和创新,同时也形成了自己独特的风格。本文以著名唱段《刘大哥讲话理太偏》为例,阐述常香玉、小香玉历程的基础上,通过文献查阅法和视频观看法将从以下四个方面:咬字处理、润强表现、唱腔风格、表演身段进行对比,进一步总结常香玉唱腔特点对小香玉的影响,所得结论对于研究如何创新传统豫剧文化有一定的促进作用。

关键字:常香玉;小香玉;唱腔;《刘大哥讲话理太偏》

Chang Xiangyu、Xiao Xiangyu’s Singing Contrast - to "Speech Liu Principle Is Too Wide For Example

Abstract:Chang Xiangyu famous henan opera has been innovating performance artists in China, because singing tone round, stable, performance is bold and unconstrained was deeply loved by people. And the granddaughter small breeze on the basis of inherited traditional Chang Xiangyu again try to reform and innovation, but also formed its own unique style. Based on the famous aria \"Liu Dage talk reason too partial\" as an example, this paper Chang Xiangyu, small breeze course, on the basis of through literature review and video viewing method will from the following four aspects: the pronunciation processing and strong performance, singing style, performance figure is compared, further summarizes Chang Xiangyu singing characteristics influence on small breeze, the conclusion is to research how to innovate the traditional henan opera has been innovating culture has a certain role in promoti.